The project
The project KNOT | Knowledge of Things: Reassessing the Indigenous American Heritage in Italy aims to explore and highlight the richness of Indigenous American heritage preserved in Italian institutions. Although Italy was never directly involved in the colonization of the Americas, Indigenous American artifacts and human remains have been collected on the Italian peninsula for over five centuries, giving Italian collections distinctive characteristics compared to those of other European countries.
Among these is the fact that Indigenous American material culture is often housed in small institutions scattered throughout Italy, often remaining largely unknown to the international public. Mapping these institutions and providing users with detailed information on their collections is a fundamental first step to valorize, study and disseminate the knowledge of such a unique, rich, and diverse heritage.
A collaborative work in progress
The KNOT project is an inherently collaborative project, created by a group of Italian scholars in close collaboration with museum curators, members of indigenous communities, students, and fellow scholars.
Given the scope of the project, all its outputs, and especially the KNOT website, are by nature works in progress. They will be periodically updated with new research findings and collaborations, including those contributed by the broader community of users. For this reason, we warmly invite visitors to write to (info@knotproject.it) with suggestions for corrections, additions, or any other form of collaboration that could enrich our website. For example, you might point out a museum whose Indigenous American collection has escaped our attention, or contribute the biography of a collector whose story is still incomplete.
A multidisciplinary team
To explore Indigenous American heritage in Italy and share the knowledge generated by our project, we brought together a multidisciplinary team of anthropologists, historians, chemists, and computer scientists. This collaborative approach was vital to truly perceive and narrate the many-layered, polyphonic stories that Indigenous artifacts can tell.



