{"id":2521,"date":"2025-12-22T15:17:56","date_gmt":"2025-12-22T14:17:56","guid":{"rendered":"https:\/\/www.knotproject.it\/?page_id=2521"},"modified":"2026-02-23T12:51:16","modified_gmt":"2026-02-23T11:51:16","slug":"from-pre-hispanic-mesoamerica-to-renaissance-italy","status":"publish","type":"page","link":"https:\/\/www.knotproject.it\/es\/routes\/from-pre-hispanic-mesoamerica-to-renaissance-italy\/","title":{"rendered":"From pre-Hispanic Mesoamerica to Renaissance Italy"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row section vc_row-fluid\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-8\" id=\"route-page-title\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"separator orange-separator normal\" style=\"background-color: #D15325;height: 3px;\"><\/div>\n\t<div class=\"wpb_text_column wpb_content_element  white-text vc_custom_1765270640082\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Routes<\/h4>\n\n\t\t<\/div>\n\t<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"  style=\"height: 32px\" >\n\t<span class=\"vc_empty_space_inner\">\n\t\t<span class=\"empty_space_image\"  ><\/span>\n\t<\/span>\n<\/div><\/div><\/div><\/div><\/div><\/div><div      class=\"vc_row wpb_row section vc_row-fluid\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div      class=\"vc_row wpb_row section vc_row-fluid vc_inner\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"route-name wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  white-text\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h1><strong>From pre-Hispanic Mesoamerica to Renaissance Italy<\/strong><\/h1>\n<h2>The Italian Social Life of Mesoamerican Things<\/h2>\n\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wpb_text_column wpb_content_element  white-text edited-by\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Edited by <strong>Davide Domenici<\/strong> (University of Bologna)<\/h4>\n<p>&nbsp;<\/p>\n<h4>Scroll editing by <strong>Chiara Florise Amadei<\/strong> (CNR ISPC)<\/h4>\n<h4>Revision &amp; accessibility by <strong>Alfonsina Pagano <\/strong>(CNR ISPC)<\/h4>\n\n\t\t<\/div>\n\t<\/div><div class=\"separator orange-separator-large normal\" style=\"background-color: #D15325;height: 3px;\"><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-12\" id=\"route-description\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  white-text\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>This route examines the arrival in Italy during the sixteenth century and the subsequent circulation of a group of pre-Hispanic Mesoamerican artifacts, primarily pictorial manuscripts, mosaics, gilded spearthrowers, and stone sculptures. The route guides the reader along a five-century itinerary in which the social lives of these Mesoamerican objects intersect with those of prominent Italian scholars and collectors. In the final section, data derived from materials science and iconographic analyses reveal new insights into the objects\u2019 materiality and original functions.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 600;\">Explore the scrolling journey to learn more!<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class='q_elements_holder three_columns responsive_mode_from_768 explore-button margin-top-30' ><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_273799'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_273799'><a  itemprop=\"url\" href=\"https:\/\/knot2025.shorthandstories.com\/from-pre-hispanic-mesoamerica-to-renaissance-italy\/\" target=\"_blank\"  class=\"qbutton  default\" style=\"\">Explore (En)<\/a><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_469972'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_469972'><a  itemprop=\"url\" href=\"https:\/\/preview.shorthand.com\/ESw3mkGRaV88JVCN\" target=\"_blank\"  class=\"qbutton  default\" style=\"\">Explorar (Es)<\/a><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_323851'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_323851'><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_590465'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_590465'><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\" id=\"map-column\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"35 (1)\" srcset=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1.png 1920w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-300x169.png 300w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-1024x576.png 1024w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-768x432.png 768w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-1536x864.png 1536w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-18x10.png 18w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-700x394.png 700w, https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/35-1-539x303.png 539w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div      class=\"vc_row wpb_row section vc_row-fluid\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div id=\"ul-buttons-row\"     class=\"vc_row wpb_row section vc_row-fluid vc_inner\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-12\" id=\"ul-box\"><div class=\"vc_column-inner vc_custom_1765988989646\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  white-text bold-text\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Highlights from the route<\/h4>\n\n\t\t<\/div>\n\t<\/div><div class='q_elements_holder four_columns responsive_mode_from_768 highlight-button' ><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_465566'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_465566'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-5af3ejtl9\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2025\/12\/2.png\" alt=\"Zoomorphic knife handle\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-5af3ejtl9\" target=\"_blank\">Zoomorphic knife handle<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_264326'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_264326'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-j9d8dzgf1\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2025\/12\/3.png\" alt=\"Anthropomorphic knife handle\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-j9d8dzgf1\" target=\"_blank\">Anthropomorphic knife handle<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_209840'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_209840'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-0bna3kdhh\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2025\/12\/4.png\" alt=\"Yacatecuhtli mask\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251113-0bna3kdhh\" target=\"_blank\">Yacatecuhtli mask<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_759229'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_759229'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251104-105k7q9ry\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2025\/12\/5.png\" alt=\"Mixtec mask\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251104-105k7q9ry\" target=\"_blank\">Mixtec mask<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><div class='q_elements_item' data-animation='no' data-item-class='q_elements_holder_custom_262981'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_262981'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/a\/cospi\/\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2025\/12\/6.png\" alt=\"Codex Cospi\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/a\/cospi\/\" target=\"_blank\">Codex Cospi<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><div class='q_elements_item femur-image' data-animation='no' data-item-class='q_elements_holder_custom_601459'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_601459'><div class=\"image_with_text\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251104-4r9bs1spv\" target=\"_blank\"><img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/www.knotproject.it\/wp-content\/uploads\/2026\/01\/Foto-modificate-percorso-DOMENICI.png\" alt=\"Femur-musical instrument\" \/><\/a><h3  class=\"image_with_text_title\"><a itemprop=\"url\" href=\"https:\/\/aton.ispc.cnr.it\/s\/knot\/20251104-4r9bs1spv\" target=\"_blank\">Femur-musical instrument<\/a><\/h3><span style=\"margin: 6px 0px;\" class=\"separator transparent\"><\/span><\/div><\/div><\/div><\/div><\/div>\n\t<div class=\"wpb_text_column wpb_content_element  white-text bold-text\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>References<\/h4>\n\n\t\t<\/div>\n\t<\/div><div class='q_elements_holder one_column responsive_mode_from_768 route-description-referral' ><div class='q_elements_item white-text reference-list' data-animation='no' data-item-class='q_elements_holder_custom_741122'><div class='q_elements_item_inner'><div class='q_elements_item_content q_elements_holder_custom_741122'><div class=\"q_list circle\">\n\t<\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Buscaroli, G. 2017. \u201cA New Iconographic Analysis of the Two Mesoamerican Dart-Throwers of the Museum of Anthropology and Ethnology of Florence.\u201d <\/span><i><span style=\"font-weight: 400\">Archivio per l\u2019Antropologia e la Etnologia<\/span><\/i><span style=\"font-weight: 400\"> 147: 33\u201352.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Buti, D., D. Domenici. In press. \u201cLa voz de los colores. Estudio de los materiales pict\u00f3ricos del C\u00f3dice Vaticano A.\u201d In <\/span><i><span style=\"font-weight: 400\">El C\u00f3dice Vaticano A (Vat. lat. 3738). Historia, recepci\u00f3n y contenido de un manuscrito pictogr\u00e1fico colonial sobre el M\u00e9xico antiguo<\/span><\/i><span style=\"font-weight: 400\"> , ed. S. Botta, G. Olivier. M\u00e9xico, Roma, Citt\u00e0 del Vaticano: Instituto de Investigaciones Hist\u00f3ricas, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Dipartimento di Storia, Antropologia, Religioni, Arte, Spettacolo, Sapienza Universit\u00e0 di Roma, Biblioteca Apostolica Vaticana.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2016. \u201cNuovi dati per una storia dei codici messicani della Biblioteca Apostolica Vaticana.\u201d<\/span><i><span style=\"font-weight: 400\"> Miscellanea Bibliothecae Apostolicae Vaticanae<\/span><\/i><span style=\"font-weight: 400\"> XXII: 341-362.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2016. \u201cThe wandering \u00ab Leg of an Indian King \u00bb. The cultural biography of a friction idiophone now in the Pigorini Museum in Rome, Italy.\u201d <\/span><i><span style=\"font-weight: 400\">Journal de la Soci\u00e9t\u00e9 des Am\u00e9ricanistes<\/span><\/i><span style=\"font-weight: 400\"> 102: 79- 104.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2017. \u201cThe <\/span><i><span style=\"font-weight: 400\">Descrittione dell\u2019India occidentale<\/span><\/i><span style=\"font-weight: 400\">, a Sixteenth-Century Source on the Italian Reception of Mesoamerican Material Culture.\u201d <\/span><i><span style=\"font-weight: 400\">Ethnohistory<\/span><\/i><span style=\"font-weight: 400\"> 64: 497-527.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2017. \u201cMissionary Gift Records of Mexican Objects in Early Modern Italy.\u201d In <\/span><i><span style=\"font-weight: 400\">The New World in Early Modern Italy<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">1492\u2013<\/span><\/i><span style=\"font-weight: 400\">1750, ed. E. Horodowich, L. Markey, 86-102. Cambridge: Cambridge University Press.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2018. \u201cC\u00f3dices mesoamericanos en la Italia de la primera edad moderna: historia y recepci\u00f3n.\u201d In <\/span><i><span style=\"font-weight: 400\">C\u00f3dices y cultura ind\u00edgena en M\u00e9xico. Homenaje a Alfonso Lacadena Garc\u00eda-Gallo<\/span><\/i><span style=\"font-weight: 400\">, ed. J.J. Batalla Rosado, J.L. de Rojas, L. P\u00e9rez Lugones, 351-375. Madrid: Distinta Tinta Ediciones.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2020. \u201cMesoamerican Mosaics in Early European collections. Style, Provenance and Provenience.\u201d <\/span><i><span style=\"font-weight: 400\">Estudios de Cultura N\u00e1huatl<\/span><\/i><span style=\"font-weight: 400\"> 59: 8-65.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici D. 2021. \u201cThe Flowery Matter of Chant. The Use of Organic Colors in pre-Hispanic Mesoamerican Codex Painting.\u201d In <\/span><i><span style=\"font-weight: 400\">Flower Worlds<\/span><\/i><span style=\"font-weight: 400\">. <\/span><i><span style=\"font-weight: 400\">Religion, aesthetics, and ideology in Mesoamerica and the American Southwest<\/span><\/i><span style=\"font-weight: 400\">, ed. M. Mathiowetz, A. D. Turner, 266-282, Tucson: The University of Arizona Press.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2021. \u201cThe Dominicans as Conveyors of Mesoamerican Objects to Italy and Europe.\u201d <\/span><i><span style=\"font-weight: 400\">Oxford Research Encyclopedia of Latin American History<\/span><\/i><span style=\"font-weight: 400\">, doi:\u00a0<\/span><a href=\"https:\/\/doi.org\/10.1093\/acrefore\/9780199366439.013.967\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1093\/acrefore\/9780199366439.013.967<\/span><\/a><span style=\"font-weight: 400\">.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., 2022. \u201cRediscovery of a Mesoamerican greenstone sculpture from the collection of Ulisse Aldrovandi.\u201d\u00a0<\/span><i><span style=\"font-weight: 400\">Journal of the History of Collections<\/span><\/i><span style=\"font-weight: 400\"> 34(1): 1\u201321.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., 2022. \u201cHandling sacrifice. Reception and perception of Mesoamerican knives in Italy.\u201d <\/span><i><span style=\"font-weight: 400\">Quaderni Storici<\/span><\/i><span style=\"font-weight: 400\"> 169, LVII (1): 55-83.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2023. \u201cObjetos americanos en el <\/span><i><span style=\"font-weight: 400\">Museo delle curiosit\u00e0 naturali, peregrine e antiche<\/span><\/i><span style=\"font-weight: 400\"> del cardenal Flavio I Chigi (1631-1693).\u201d In <\/span><i><span style=\"font-weight: 400\">Tejiendo im\u00e1genes. Homenaje a Vict\u00f2ria Solanilla Demestre<\/span><\/i><span style=\"font-weight: 400\">, ed. C. Simmons Caldas, M. Valls i Garc\u00eda, 118-125.<\/span> <span style=\"font-weight: 400\">Lincoln: Zea Books.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2023. \u201cWoodcut of a Mesoamerican Mosaic-Encrusted Mask from Aldrovandi\u2019s Musaeum metallicum.\u201d In <\/span><i><span style=\"font-weight: 400\">Visual Reflections across the Mediterranean Sea<\/span><\/i><span style=\"font-weight: 400\">, ed. N. Fritz, P. von Wyss-Giacosa, 70-77. Siena: GMS SRL.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2023. \u201cMs. <\/span><i><span style=\"font-weight: 400\">Borg. mess. <\/span><\/i><span style=\"font-weight: 400\">2:\u00a0 A Late Eighteenth-Century Copy of the Mesoamerican Codex Cospi by the Bolognese Artist Antonio Basoli (1774-1848).\u201d <\/span><i><span style=\"font-weight: 400\">Miscellanea Bibliothecae Apostolicae Vaticanae <\/span><\/i><span style=\"font-weight: 400\">XXVIII: 189-214.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2023. \u201cThe collection of Tommaso de\u2019 Cavalieri as recorded by Ulisse Aldrovandi in 1577 (BUB, Ms. Aldr. 136\/6).\u201d <\/span><i><span style=\"font-weight: 400\">Storicamente<\/span><\/i><span style=\"font-weight: 400\"> 19: 1-20. <\/span><a href=\"https:\/\/storicamente.org\/domenici_collection_tommaso_de_cavalieri\"><span style=\"font-weight: 400\">https:\/\/storicamente.org\/domenici_collection_tommaso_de_cavalieri<\/span><\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2024. \u201cFrom the Market to the Museum: Nineteenth-Century Circulation, Display, and Scholarly Study of Mesoamerican Artifacts in Italy and Beyond.\u201d In <\/span><i><span style=\"font-weight: 400\">Collecting Mesoamerican Art before 1940. A New World of Latin American Antiquities<\/span><\/i><span style=\"font-weight: 400\">, ed. A.D. Turner, M.E. O\u2019Neil, 21-37. Los Angeles: Getty Research Institute.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2024. \u201cCodices: A Colorful Speech.\u201d In <\/span><i><span style=\"font-weight: 400\">We Live in Painting. The Nature of Color in Mesoamerican Art<\/span><\/i><span style=\"font-weight: 400\">, ed. D. Magaloni, D. Domenici, A. de Carteret, 109-120. Los Angeles: Los Angeles County Museum of Art.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. 2024. \u201cMosaics: The Aesthetics of Anymacy.\u201d In <\/span><i><span style=\"font-weight: 400\">We Live in Painting. The Nature of Color in Mesoamerican Art<\/span><\/i><span style=\"font-weight: 400\">, ed. D. Magaloni, D. Domenici, A. de Carteret, 139-150. Los Angeles: Los Angeles County Museum of Art.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">D. Domenici. 2024. \u201cMixtec Social Memory in Late Reinassance Rome. Ulisse Aldrovandi, Tommaso de\u2019 Cavalieri and the \u2018Skull of an Indian King.\u201d <\/span><i><span style=\"font-weight: 400\">Journal de la Soci\u00e9t\u00e9 des Am\u00e9ricanistes<\/span><\/i><span style=\"font-weight: 400\"> 110-2: 51-76.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. In press. \u201cUlisse \u201cAldrovandi\u2019s Engagement with Mesoamerican Material Culture.\u201d In <\/span><i><span style=\"font-weight: 400\">Global Aldrovandi. Exchanging Knowledge in the Early Modern World<\/span><\/i><span style=\"font-weight: 400\">, ed. L. Markey, D. Domenici. Leiden: Brill.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. In press. \u201cAnimated Surfaces Technology and Aesthetics in Late Postclassic Mesoamerican Mosaics.\u201d In <\/span><i><span style=\"font-weight: 400\">Amerindian Art Histories and Archaeologies: Material Transformations in the Indigenous Americas<\/span><\/i><span style=\"font-weight: 400\">, ed. S. Savkic Sebek, B. Artzi, E. Baquedano. Gainesville: Florida University Press.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. In press. \u201cLlegada y recepci\u00f3n del C\u00f3dice Vaticano A en la Italia del siglo XVI.\u201d In <\/span><i><span style=\"font-weight: 400\">El C\u00f3dice Vaticano A (Vat. lat. 3738). Historia, recepci\u00f3n y contenido de un manuscrito pictogr\u00e1fico colonial sobre el M\u00e9xico antiguo<\/span><\/i><span style=\"font-weight: 400\">, ed. S. Botta, G. Olivier. M\u00e9xico, Roma, Citt\u00e0 del Vaticano: Instituto de Investigaciones Hist\u00f3ricas, Universidad Nacional Aut\u00f3noma de M\u00e9xico, Dipartimento di Storia, Antropologia, Religioni, Arte, Spettacolo, Sapienza Universit\u00e0 di Roma, Biblioteca Apostolica Vaticana.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici; D. In press. \u201cThe Transatlantic Journeys of pre-Hispanic Mesoamerican Things: Sixteenth-Century Italian Circulation Spheres and Their Implications in Terms of Style, Typology and Provenience.\u201d In <\/span><i><span style=\"font-weight: 400\">The Challenge of Mobile Images and Objects in Mesoamerica<\/span><\/i><span style=\"font-weight: 400\">, ed. S. Savki\u0107 \u0160ebek, R. Koontz. Berlin: Ibero-Amerikanisches Institut.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D. In press. \u201cThe Transatlantic Life of Codex Cospi.The cultural biography of a Mesoamerican manuscript between Mexico and Bologna.\u201d In <\/span><i><span style=\"font-weight: 400\">Il C\u00f3dice Cospi<\/span><\/i><span style=\"font-weight: 400\">, ed. D. Domenici, \u00c9. Dupey Garc\u00eda, G. Olivier. Bologna: Biblioteca Universitaria di Bologna.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., D. Buti, C. Grazia, \u00c9. Dupey Garc\u00eda, A. Romani, L. Cartechini, A. Sgamellotti, C. Miliani. 2019. \u201cNon-invasive chemical characterization of painting materials of Mesoamerican codices Borgia (<\/span><i><span style=\"font-weight: 400\">Borg. mess<\/span><\/i><span style=\"font-weight: 400\">. 1) and Vaticanus B (<\/span><i><span style=\"font-weight: 400\">Vat. lat.<\/span><\/i><span style=\"font-weight: 400\"> 3773) of the Biblioteca Apostolica Vaticana.\u201d <\/span><i><span style=\"font-weight: 400\">Miscellanea Bibliothecae Apostolicae Vaticanae <\/span><\/i><span style=\"font-weight: 400\">XXV: 201-228.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., D. Buti, C. Miliani, A. Sgamellotti. 2020. \u201cChanging Colours in a Changing World. The Technology of Codex Painting in Post-Classic and Early Colonial Mesoamerica.\u201d In <\/span><i><span style=\"font-weight: 400\">Materia Americana. The Body of Spanish American Images: 16th to mid-19th centuries<\/span><\/i><span style=\"font-weight: 400\">, ed. G. Siracusano, A. Rodr\u00edguez Romero, 45-57. Buenos Aires: S\u00e1enz Pe\u00f1a-Universidad Nacional de Tres de Febrero.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., \u00c9. Dupey Garc\u00eda. 2022. \u201cThe Wind God and the Descent of the <\/span><i><span style=\"font-weight: 400\">Tzitzimitl<\/span><\/i><span style=\"font-weight: 400\">. New Insights on the Iconography and Provenance of the Mosaic-Encrusted Bird Head at the Friedenstein Palace, Gotha (Germany).\u201d <\/span><i><span style=\"font-weight: 400\">Ancient Mesoamerica<\/span><\/i><span style=\"font-weight: 400\"> 33: 474-499.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., \u00c9. Dupey Garc\u00eda, C. Grazia, D. Buti, A. Romani, A. Sgamellotti, C. Miliani. 2020. \u201cLos materiales pict\u00f3ricos del C\u00f3dice Vaticano B.\u201d In <\/span><i><span style=\"font-weight: 400\">Nuevo Comentario al C\u00f3dice Vaticano B (Vat. Lat. 3773)<\/span><\/i><span style=\"font-weight: 400\">, ed. K. Mikulska, 63-85. M\u00e9xico, Warszawa, Citt\u00e0 del Vaticano: Universidad Nacional Aut\u00f3noma de M\u00e9xico, University of Warsaw, Biblioteca Apostolica Vaticana.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., L. Laurencich Minelli. 2014. \u201cDomingo de Betanzos\u2019 Gifts to Pope Clement VII in 1532-1533: Tracking the Early History of Some Mexican Objects and Codices in Italy.\u201d <\/span><i><span style=\"font-weight: 400\">Estudios de Cultura N\u00e1huatl<\/span><\/i><span style=\"font-weight: 400\"> 47: 169-209.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., C. Miliani, D. Buti, B. Brunetti, A. Sgamellotti. 2018. \u201cColoring materials, technological practices, and painting traditions. Cultural and historical implications of non-destructive chemical analyses of pre-Hispanic Mesoamerican codices.\u201d In <\/span><i><span style=\"font-weight: 400\">Painting the Skin. Studies on the Pigments Applied on Bodies and Codices in Pre-Columbian Mesoamerica,<\/span><\/i><span style=\"font-weight: 400\"> ed. \u00c9. Dupey Garc\u00eda, M.L. V\u00e1zquez de \u00c1gredos Pascual, 129-143. Tucson: University of Arizona Press.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., J. Nielsen. 2018. \u201cThe Face of Xolotl: A Unique Mosaic-covered Object in the National Museum of Denmark.\u201d <\/span><i><span style=\"font-weight: 400\">Mexicon<\/span><\/i><span style=\"font-weight: 400\"> XL(5): 122-134.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Domenici, D., S. Tacconi. 2025. \u201cBenedetto XIV e le collezioni indigene americane dell\u2019Istituto delle Scienze di Bologna.\u201d In <\/span><i><span style=\"font-weight: 400\">Benedetto XIV e Bologna. Arti e scienze nell\u2019et\u00e0 dei Lumi<\/span><\/i><span style=\"font-weight: 400\">, ed. F. Citti, I. Graziani, 307-309. Bologna: Pendragon.<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Miliani, C., D. Domenici, C. Clementi, F. Presciutti, F. Rosi, D. Buti, A. Romani, L. Laurencich Minelli, A. Sgamellotti. 2012. \u201cColouring Materials of Pre-Columbian Codices: Non-Invasive in Situ Spectroscopic Analysis of the Codex Cospi.\u201d <\/span><i><span style=\"font-weight: 400\">Journal of Archaeological Science<\/span><\/i><span style=\"font-weight: 400\"> 39: 672-679.<\/span><\/li>\n<\/ul>\n<p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"tags-row\"     class=\"vc_row wpb_row section vc_row-fluid  display-none\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-2\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p class=\"white-text\"><p>No tags available.<\/p><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-2\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><div      class=\"vc_row wpb_row section vc_row-fluid\" style=' text-align:left;'><div class=\"full_section_inner clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1763454808281\"><div class=\"wpb_wrapper\"><div class=\"separator  normal\" style=\"background-color: #FFFFFF;\"><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Routes From pre-Hispanic Mesoamerica to Renaissance Italy The Italian Social Life of Mesoamerican Things Edited by Davide Domenici (University of Bologna) &nbsp; Scroll editing by Chiara Florise Amadei (CNR ISPC) Revision &amp; accessibility by Alfonsina Pagano (CNR ISPC) This route examines the arrival in Italy...","protected":false},"author":1,"featured_media":0,"parent":1062,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[129],"tags":[],"class_list":["post-2521","page","type-page","status-publish","hentry","category-routes"],"_links":{"self":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/comments?post=2521"}],"version-history":[{"count":22,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2521\/revisions"}],"predecessor-version":[{"id":3199,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2521\/revisions\/3199"}],"up":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/1062"}],"wp:attachment":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/media?parent=2521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/categories?post=2521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/tags?post=2521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}