{"id":2563,"date":"2025-12-23T10:34:51","date_gmt":"2025-12-23T09:34:51","guid":{"rendered":"https:\/\/www.knotproject.it\/?page_id=2563"},"modified":"2026-02-23T12:35:54","modified_gmt":"2026-02-23T11:35:54","slug":"exploring-mesoamerican-hibridity","status":"publish","type":"page","link":"https:\/\/www.knotproject.it\/es\/routes\/exploring-mesoamerican-hibridity\/","title":{"rendered":"Exploring Mesoamerican hibridity"},"content":{"rendered":"
<\/div>\n\t
\n\t\t
\n\t\t\t

Routes<\/h4>\n\n\t\t<\/div>\n\t<\/div><\/div><\/div><\/div>
\n\t\n\t\t<\/span>\n\t<\/span>\n<\/div><\/div><\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t

Exploring Mesoamerican Hybridity<\/strong><\/h1>\n

The tlahmachayatl as a woven archive<\/h2>\n\n\t\t<\/div>\n\t<\/div>\n\t
\n\t\t
\n\t\t\t

Edited by Valeria Bellomia<\/strong> (Sapienza University of Rome)<\/h4>\n

 <\/p>\n

Scroll editing by Chiara Florise Amadei<\/strong> (CNR ISPC)<\/h4>\n

Revision & accessibility by Alfonsina Pagano <\/strong>(CNR ISPC)<\/h4>\n\n\t\t<\/div>\n\t<\/div>
<\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t

This route explores the history and materiality of the tlahmachayatl<\/em>, one of the rarest textiles in the world, now exhibited at the MUCIV – Museo delle Civilt\u00e0 – Roma.<\/p>\n

 <\/p>\n

Explore the scrolling journey to learn more!<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div><\/div><\/div><\/div>

Explore (En)<\/a><\/div><\/div><\/div>
Explorar (Es)<\/a><\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t\n\t\t\t
\"\"<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t

Highlights from the route<\/h4>\n\n\t\t<\/div>\n\t<\/div>
\"TLAHMACHAYATL\"<\/a>

TLAHMACHAYATL<\/a><\/h3><\/span><\/div><\/div><\/div><\/div><\/div>\n\t
\n\t\t
\n\t\t\t

References<\/h4>\n\n\t\t<\/div>\n\t<\/div>
\n\t<\/p>\n
    \n
  • Anawalt, P. 1990 <\/span>Indian Clothing Before Cortes: Mesoamerican Costumes from the Codices<\/span><\/i>, Norman: University of Oklahoma Press.<\/span><\/li>\n
  • Bellomia, V. 2024 \u201cEl <\/span>Tlahmachayatl<\/span><\/i>. Un textil emplumado mesoamericano en Roma\u201d, <\/span>Arqueolog\u00eda Mexicana<\/span><\/i>, XXX\/189: 62-67.<\/span><\/li>\n
  • Bellomia, V., D. Domenici, I. Fiore, D. Buti, L. Paderni, in preparation <\/span>Weaving hybridity. Interdisciplinary study of a Mexican colonial feathered textile (<\/span><\/i>tlahmachayatl<\/span>)<\/span><\/i><\/li>\n
  • Bierhorst, J.,<\/span> 1985 Cantares Mexicanos. Songs of the Aztecs, <\/span><\/i>Stanford University Press.<\/span><\/li>\n
  • Callegari, G.V. 1920 \u201cPiccole Comunicazioni: il Tlamachayatl del Museo Preistorico di Roma (Coll. Romano)\u201d, <\/span>Archivio per l\u2019antropologia e l\u2019etnologia<\/span><\/i>, 50 (1-4): 175-177.<\/span><\/li>\n
  • Clavijero, Francisco Clavier 2009 Historia antigua de M\u00e9xico. [1780] M\u00e9xico: Porr\u00faa.<\/span><\/li>\n
  • Filloy Nadal, L. 2019 \u201cDe la pluma y sus usos en Mesoam\u00e9rica\u201d, <\/span>Arqueolog\u00eda Mexicana<\/span><\/i> 159: 18-23.<\/span><\/li>\n
  • G\u00f3mez Mart\u00ednez, A. 2012 \u201cEl \u00e1guila bic\u00e9fala y la configuraci\u00f3n mitol\u00f3gica otom\u00ed de San Pablito\u201d <\/span>Estudios de Cultura Otopame<\/span><\/i> 8: 107-125.<\/span><\/li>\n
  • Johnson, I.W. 1993 <\/span>Telas emplumadas en la \u00e9poca virreinal<\/span><\/i>, <\/span>en <\/span><\/i>Teresa Castell\u00f3 Yturbide (ed.)<\/span> El arte plumaria en M\u00e9xico<\/span><\/i>, M\u00e9xico: Fomento Cultural Banamex: 79-99.<\/span><\/li>\n
  • Mastache de Escobar A.G. 1971 <\/span>T\u00e9cnicas prehisp\u00e1nicas de tejido<\/span><\/i>, M\u00e9xico: INAH.<\/span><\/li>\n
  • Meneses Lozano, H.M., 2008 <\/span>Un pa\u00f1o novohispano: tesoro de arte plumaria<\/span><\/i>, M\u00e9xico: Apoyo al Desarrollo de Archivos y Bibliotecas de M\u00e9xico.<\/span><\/li>\n
  • Meneses Lozano, H.M. 2014 \u201c<\/span>Telas emplumadas: La exquisitez del tejido mesoamericano, in Rom\u00e1n Torres, R.L. & Garc\u00eda-Alonso Alba, L. (eds.) <\/span>Conservaci\u00f3n de arte plumario<\/span><\/i>, Mexico City: CONACULTA; INAH-ENCRyM.<\/span><\/li>\n
  • Meneses Lozano, H.M. \u2013 de \u00c1vila Blomberg, A. 2019 \u201cEl <\/span>Tlahmachte:ntli<\/span><\/i>. Un tejido emplumado\u201d <\/span>Arqueolog\u00eda Mexicana<\/span><\/i> 159: 72-24.<\/span><\/li>\n
  • Olko, J. 2014 <\/span>Insignia of Rank in the Nahua World: From the Fifteenth to the Seventeenth Century<\/span><\/i>. Boulder: University Press of Colorado.<\/span><\/li>\n
  • Russo, A. 2002 \u201cPlumes of Sacrifice: Transformations in Sixteenth-Century Mexican Feather Art\u201d,<\/span> RES: Anthropology and Aesthetics <\/span><\/i>42: 226-250.<\/span><\/li>\n
  • Russo, A. – Fane D. (eds.) 2015 <\/span>Images Take Flight: Feather art in Mexico and Europe, 1400\u20131700<\/span><\/i>, Munich: Hirmer.\u00a0<\/span><\/li>\n
  • Sahag\u00fan, b. de 1950\u20131969 Florentine Codex\u2014General History of the Things of New Spain. 13 books. C. E. Dibble y A. J. O. Anderson, eds. Santa Fe\u2014Salt Lake City: The School of American Research and The University of Utah.<\/span><\/li>\n
  • Stresser-Pe\u00e1n, C. 2012 <\/span>De la vestimenta y los hombres, Una perspectiva hist\u00f3rica de la indumentaria ind\u00edgena en M\u00e9xico<\/span><\/i>, M\u00e9xico: Fondo de Cultura Econ\u00f3mica.<\/span><\/li>\n<\/ul>\n

    <\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

    <\/div><\/div><\/div>
    \n\t
    \n\t\t
    \n\t\t\t

    No tags available.<\/p><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

    <\/div><\/div><\/div><\/div><\/div>
    <\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Routes Exploring Mesoamerican Hybridity The tlahmachayatl as a woven archive Edited by Valeria Bellomia (Sapienza University of Rome)   Scroll editing by Chiara Florise Amadei (CNR ISPC) Revision & accessibility by Alfonsina Pagano (CNR ISPC) This route explores the history and materiality of the tlahmachayatl,...","protected":false},"author":1,"featured_media":0,"parent":1062,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[129],"tags":[],"class_list":["post-2563","page","type-page","status-publish","hentry","category-routes"],"_links":{"self":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/comments?post=2563"}],"version-history":[{"count":24,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2563\/revisions"}],"predecessor-version":[{"id":3188,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/2563\/revisions\/3188"}],"up":[{"embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/pages\/1062"}],"wp:attachment":[{"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/media?parent=2563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/categories?post=2563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knotproject.it\/es\/wp-json\/wp\/v2\/tags?post=2563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}